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Friday, March 16, 2012

Inspiration Thursday #15: Stephen Tourlentes

Stephen Tourlentes is a great photographer. He was a guest lecturer for my class the other day, and he really knows his stuff. Look at these photos, absorb them a bit, and then I'll explain.


Absorb. Then read on.






So the long exposures seen here are photos of prisons. I think it's such an interesting play with the mind. In one respect, you want to be drawn into the light. You're surrounded by darkness, you want to go to the light. But once you know the context you kind of step back. He is an amazing artist, see the rest of his prisons at his website.

Sorry this Inspiration Thursday is so short, I'm kind of still recuperating from recent events.




City Living


Needless to say, this is what I've been dealing with this last four days.

Inspiration Thursday will be late (as most of you have are already aware.)


Thursday, March 8, 2012

Inspiration Thursday #14: John Divola

This week's Inspiration is John Divola, a photographer who spoke at my school today and I really enjoyed his work! His work involves a lot about creating a photograph, making a scene. Divola indulges in finding his subjects by chance -- politely breaking into abandoned houses, taking pictures of houses in the desert, and documenting their change.

He just overall seemed like such a down-to-earth kind of guy. When a student asked some presumptuous question about if he is interested in his mark-making performance as a part of his photography, Divola just went, "Um, nope. They only exist as photographs. I'm not interested in performance or installation."

There are two series (though I'll share a few from each) that I really enjoyed: 1) Dogs Chasing My Car (which is EXACTLY how it sounds) and 2) The Green of This Notebook, which illustrates lines from Satre. Check out his website here, for more images.

Zuma


Dogs Chasing My Car
Paraphrasing from what he said about these photos: "We'd drive in through the desert and there would just be these dogs sitting out there. And as soon as they saw us they'd start running. They were friendly, they'd lick your hands. But us driving by was like the highlight of their day."

Soo cute!

The Green of this Notebook









Like his work? Hate it? All opinions welcome, just leave a comment!

Hope you're having a great week!


Sunday, March 4, 2012

When did life become so busy?

For everyone who looks at my blog on a daily basis, only to be disappointed that there's no new tutorial, or picture post, or what have you -- I thank you wholeheartedly for thinking as my blog as a stop on your Internet experience for the day.

It's been kind of a whirlwind experience the last few weeks, from life completely overwhelming me and taking grasp and not letting go. Thankfully though, it's been a relatively great few weeks filled with much exciting news.

  • I applied for a Student Orientation Leader position. I have my interview on Monday and I'm actually rather nervous (despite knowing I'm pretty great in a leadership position, if I do say so myself.)
  • I have been roommate searching like CRAZY, and I think I have finally found a potential roommate. And last night, I was offered by a few new friends to live with them if this last-ditch effort falls through. All around, I'm pretty satisfied.
  • School work has reached a new high -- I am terribly tired of school at the moment. I've definitely hit that point in the semester where you say to yourself, "okay... how many days until it's over?"
  • Most amazing news - three of my own photos got into my school exhibition! Seeing how I've tried now for 3 years, I guess you could say that the third times a charm! I found out the news tonight, and I was SO excited to let you all know! I'll be documenting the experience, and I've never had my photography in a show before despite that being my major! It's been a CRAZY few days. One of these days I'll actually explain my project, but I'm still really hesitant about it. For now, here's a preview:


Thursday, March 1, 2012

Inspiration Thursday #13: Deana Lawson

This is the first photographer that could be considered NSFW!

Deana Lawson is an photographer that deals with African Americans in intimate situations. Her photographs are not snapshots of everyday life, but meticulously constructed by Lawson herself -- every aspect is chosen specifically. Her work was recently displayed at the Museum of Modern Art in 2011.

From the MoMA site, because MoMA is infinitely better at articulating work than I am:

"Deana Lawson (American, born 1979) received an MFA from the Rhode Island School of Design in 2004 and currently lives and works in New York. Lawson refers to the subjects of her photographs as “her family.” Although she is not related to them by blood—in fact, they are nearly all strangers—the pictures are remarkably intimate. Lawson composes almost every element, often sketching scenes out on paper before working with the camera. Reflecting Western and African portraiture conventions, the works examine “the body’s ability to channel personal and social histories, drawing on the various formal and informal languages of the medium and its archival capabilities,” the artist says. The result is an alphabet of body compositions demonstrating humans’ seemingly limitless variety. The size of these photographs ensures that although they are intimate, they are also confrontational; viewers are invited into the world they depict, but strictly as spectators."







My personal favorite... just look at the juxtaposition between the couple and the baby -- priceless.


What do you think of her work? I seriously want to know your opinion!


Wednesday, February 29, 2012

Documented Day: February 21st, 2012

Hey everyone! I documented a day over at the Livejournal community! Feel free to check it out here.
For now though, here's just a few images from that day.








Hope you're having a good week!
Any requests for Inspiration Thursday? Leave a comment!

Thursday, February 23, 2012

Inspiration Thursday #12: Dina Goldstein

I know there's a lot of drawings, photographs, and other things surrounding the Disney Princesses nowadays. From the Disney Princesses Mean Girls, to the hipster memes surrounding them, you're bound to run into something on the Internet.

But these are the photographs by Dina Goldstein, who witnessed her young daughters falling into Disney's trap and expectations. What I like is when they're taken out of their "happily ever after" setting, and into a more realistic life. As someone who grew up idolizing Belle from Beauty and the Beast, I've definitely grown out of the model that Disney fed me as a kid, and it's time that we all see the truth and reality in what "happily ever after" means. Especially in this economy, as pessimistic as it might be for me to say, I don't think many of us have a "happily ever after" to look forward to.





Check out the rest of the gang at Dina Goldstein's website, Fallen Princesses.

I also want to point out that there was ANOTHER photographer that recently used the same concept. Thomas Czarnecki's collection is a still a lot different then Goldstein's, but definitely worth a look.


What do you think of using Disney Princesses as subject matter in photographer work?
How do you like how they are portrayed here? 

Let me know in a comment, I'd love to hear what you have to say!


Saturday, February 18, 2012

Photo Tutorial: Night Long Exposure

Night time photography has, hands down, been my hardest obstacle in my work. How can you get a clear shot without long exposure? How can you avoid flash? If I expose for too long will my photos have too much noise? Why are lights so wonky at night versus during the day? Despite the hardship, you can get some pretty awesome "ghosty" eerie pictures and capture light so beautifully using the approach.

So here's a few tips and tricks I have learned through my struggles using a few stills for a film project that I shot last week.

What you will need:
  • a camera (duh)
  • a remote shutter
  • tripod (or something similar that will keep your camera in place)
What's a remote shutter?
Basically it's a button that can be connected to your camera that allows you stand away from your camera while the photograph is being taken. If you're using a film camera, they are usually attached right to the shutter button, but with more recent cameras (and digital) there are inner sensors for cordless buttons (which are SO cool!) and then there are ones like the one I used for this, which has a headphone-like connector. These things tend to be super cheap, I think I got both a sensor one and a corded one for under $20?

One note: before purchasing a sensor, make sure it works with your model of the camera. Like, my sensor remote, while it works with my T2i, will not work with the Mark II.


Step One: Find your Subject
You don't want a place that is absolutely pitch black -- you can do it, your camera WILL find any light in the pitch black room, but it will often drain your camera battery to have the shutter open for so long. Find a place that has a good amount of glowing light, or set up flashlights under a chair, to highlight something specific.

Step Two: Setup and Focus
Once you pick your spot, set up your camera on the tripod and get as much light on it first. I chose my bed, because between the city light pollution and the full moon, it was CRAZY BRIGHT in my room, despite it being 11-12 at night. But how do you know if you're focused if you rely on auto and it can't see anything in the dark? This was always my issue, and one that I give credit to night photographers for -- you have to be able to FOCUS during the day, and then shoot at night.

That awkward moment when your "focused" picture is the out of focus one... oops!
I refocused, I swear!

Step Three: Decide your your Aperture and Shutter Speed
If your camera has a BULB function, you're going to want that. I'm Canon-based, so you can figure that out by putting your camera on the "manual" setting, and scrolling your shutter speed all the way to longest it can go -- the last stop will just say "BULB." Most film and digital will have a similar function that allows you control the shutter speed to as long as you want. So here's some tips about aperture: The higher your f-stop, the less light will come it. It's just like camera basics. Since f stop is basically is used for motion, at this point it becomes obsolete because you're going to capture all the motion blurrily (is that a word?) anyways!

Step 4: Take your shot!
You've set up, you've focused. Plug in your remote shutter. I must admit that you can do this without one, but even the movement of your finger on the button will create blur. Now shut off all the lights you want and play around. Take a photo at 30 seconds, and then one at 2 minutes  (if you have a digital camera, this will give you good idea in how much light is coming into the camera at certain intervals. Remember my bedroom lit?


As you can see, all the light in this picture is almost being bled into the picture over time. And I'm ghostly because of the time it took me to crawl back into bed. You get the idea, right?

Here's some more from that same night:



 


Did you find this helpful? What else would you like a tutorial on?
I really want to know!